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			    | Leamington Spa collectionCreated 2004
 Working in silver, I create jewellery on the theme of
			        the house. My work is about security and comfort, exploration and
			        adventure. This collection has been inspired by my current surroundings
		        in Royal Leamington Spa. 			        Architecture and dolls houses fascinate me. Keys and keyholes speak
			        of secret gardens and locked rooms to be explored. Ladders and
	          stairs beg to be climbed, windows looked through. 			        My work is often a response to something
			        highly decorative, but final pieces become stronger as I simplify
			        them. One theme in this
			        collection is the patterns in Leamington’s decorative masonry
			        and wrought iron work. These pieces are my response to beauty in
		        architecture and how it can affect the way we feel. |  |  
			  
			    |  | Inspirations Houses are the epitome of personal space, containing
			        our lives and the things we collect. Our homes are hopefully safe
		        places; warm, and familiar. 		          I am interested in architecture and fascinated particularly by
			          doorways and windows; the apertures that lead us to what is inside.
			          As a child I loved going on trips to castles and old houses,
	            searching for hidden passages and climbing spiral staircases. 		          When I was little, my parents made me a dolls house. I was fascinated
			            by all the miniature pieces of furniture and pots and pans
			            all slightly out of scale with one another. I wanted to shrink
			            down
		            and step inside.  		          Another childhood pleasure was the satisfaction
			        of posting a letter. Even now, I love to hear an envelope slip
			        through its own
			              little door
		              within a door and sit there on the mat just waiting to be opened… |  
			  
			    | Houses feature regularly in the artwork
			        of my six year old sister. The Holly’s house pieces were created
			        in response to those drawings.  A child’s fascination with houses points to how important it is
			        for us to have a safe place where we belong. These drawings are about
			        more than the bricks and mortar: they encompass an emotional meaning
			        too. Where some would draw a distinction between houses and homes,
			        I am much more interested exploring the connection between the two.  Another series of pieces is about my response to the
			        beauty in my architectural surroundings. They distill something of
			        how our built
			        environment affects our mood and well-being. Every day as I walk
			        to work I seem to find something new to cheer me or inspire me.
 |  |  The beauty is not purely aesthetic, however: the intricate
			  wrought iron balconies and grand doorways are a link with the past.  I
			  often wonder about the people who must once have inhabited the same Regency
		  streets that are now part of the fabric of my own daily life. 
   
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